![]() ![]() It was promoted through advertisements in television and tie-ins in bookstores. Being also released through Columbia, the film was the beneficiary of a marketing campaign. ![]() The condition of the economy of the United Kingdom in the early 1970s had left part of the British film industry dependent on American funds. Producer Michael Klinger tried to secure funding from independent investors, but most of the funding actually came from Columbia Pictures, a fact telling for its period. Ĭonfessions was a low-budget film, with a budget of £100,000, but not really an independent film. The actual author and screenwriter, Christopher Wood, hardly resembled his creation. When novice film producer Greg Smith became interested in adapting the novels to screen, the hoax was maintained and Timmy Lea received credits as the author of the source material. The series was a sexual fantasy masquerading as confessional writing, a genre which tends to attract audiences. The series of source novels about Timmy Lea had benefited from a literary forgery, the notion that Lea was not a fictional character but the actual author. Lawrence) were hardly unusual by the 1970s, but points to Confessions as an early adaptation of low brow popular literature. Sian Barber points that adaptations of highbrow material (for example, works by Henrik Ibsen, Anton Chekhov, Iris Murdoch) and Middlebrow material (for example, works by William Shakespeare, Charles Dickens, Rudyard Kipling, D. Sian Barber cites other examples of this trend: Jane Eyre (1970), Wuthering Heights, Black Beauty (1971), The Go-Between (1971), Kidnapped (1972), Treasure Island (1973), Gulliver's Travels (1977), The Thirty Nine Steps (1978), and The Riddle of the Sands (1979). It was adapted for the screen in the 1970s, when the British film industry produced a large number of film adaptations of literary works. The film is essentially an adaptation of a sex novel printed in paperback form. He proposes as a result, much to his family's upset, unaware that Timmy's usual run of luck will affect the outcome. Timmy bed hops from unsatisfied housewives to even a lesbian love tryst, all the while with his main eye on successful police officer, Elizabeth Radlett, who will have none of Timmy's sexual advances. With Sid an impending father to be, he looks to Timmy to fully 'satisfy' his customers, little realising that Timmy's accident prone ways often stretch to his sex life with his clients. The optimistic and inept Timothy Lea is freshly employed by his brother-in-law Sid as a window cleaner.
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